Extra Credit Example

Extra Credit Example Extra Credit – Coursework Example Lecturer Essay #4 Opera and singing In this interview conducted by Terry Gross of Fresh Air, Dolora Zajick gives an insight to heropera career and how it began. Zajick is the director of the Institute of Young dramatic Voices which focuses on usual voices. This is an informative interview, especially for upcoming opera singers still learning their trades. She offers insights into how it feels to sing opera and the secrets towards a successful career in opera singing and generally in music. I have learned three main ideas from the interview that have helped me understand what singing opera is about and how to become a successful opera singer. First, it is important to learn to concentrate in what is happening at the moment in order to bring the best out of yourself. Zajick says that signing is connected to the body, and most of the expressions come from a form of kinesthetic awareness. Therefore, it is important to focus on what you are doing at the time and concrete. Secondly, Zajic k has highlighted the importance of relaxation. To be a good singer, one needs to relax. The best way to achieve this is by letting things go. You don’t have to do many things at a time but instead figure out what you want to do and isolate it form other things. Exercise on what you need to use. Finally, in the interview, Zajick has also explained how important it is for artists to take care of themselves. For example, a good singer should not let minor health issues such as colds interfere with his/her singing. She, for instance, she sleeps on her stomach in order to maintain her vocals. Therefore, understanding and taking good care of one’s body is important. Zajick, Dolora. â€Å"For Opera Powerhouse Dolora Zajick, Singing Is Connected To The Body. † interview by Terry Gross. Fresh Air. NPR, 2014. Web 8 May 2014. Extra Credit Example Extra Credit – Coursework Example The Power of Opera The interview with Dolora Zajick is very revealing concerning singing techniques used in opera as well as general attitudes and perception of opera by general audience. The interviewer herself has just discovered the power of opera; her point of view is important to deliver the message that opera which is considered to be dull and boring should not be perceived stereotypically. Opera singers are actors; their dramatic voices are used to render not only the power of voice but the plot of the opera, feelings, impressions and psychological world of their character. Dolora Zajick’s aria from Aida looks as a scene from a movie. It is very engaging because of the power of her voice, her gestures, mimics, costume and props. I think it is a good example to convince people that they do not need to think about opera in negative light. It is not enough to have a big dramatic voice to become an opera singer. One needs to be an actor because opera is not as simple in its form and structure.Dolora Zajick’s activities are very motivating for young people. She helps young talents to find their path into opera. Young dramatic and big voices are often mocked in high school choruses where all students are expected to be ordinary. People with big voices cannot reveal their voice in pop music or other common genres. Opera is not very popular with general audience; it is the reason why people often choose not to sing at all. Dolora Zajick gives them a great opportunity to realize their potential in opera singing and encourages young people to try opera. She is a great person with good sense of humor and positive attitude towards all people. She tries to make opera closer to people and gives them more chances to understand the complexity of this art. Work CitedGloss, Terry and Dolora Zajick. â€Å"For Opera Powerhouse Dolora Zajick, Singing Is Connected To The Body†. March 19, 2014. Web. May 9, 2014.

Follow the Guidelines is Not a Cliché

Follow the Guidelines is Not a Clichà © Agents say it all the time. Editors believe in it and cant wait for an excuse to delete a submission when someone ignores it. Websites and writing guides everywhere say, Follow the guidelines carefully, or Become familiar with the publication. Yet I dare say half of todays submissions do not do either. If you DO follow the guidelines, the person youre pitching will instantly give you better consideration. Im serious. Thats all it takes. There are that many submissions that fail to adhere to the rules that finding one that does is refreshing. Recently several places noted FundsforWriters as a paying market. FFW indeed pays up to $50 for   a solid 550-600-word piece for the newsletter. The flood gates opened and in came the submissions. I was excited. I love opening a query from a writer who obviously read the guidelines at https://fundsforwriters.com/submissions . Instantly, I see that author as serious, attentive to details, and understanding of FundsforWriters needs. Some pieces just arent quite what Im looking for. Maybe a little lightweight. Maybe there are nonpaying markets involved (I dont do nonpaying in FundsforWriters). Maybe its a story so far out there that it wouldnt apply to many of my readers. Thats okay. A rejection is in order, but I explain why and thank them for submitting. Then there are others. Some of them present a concept I like, but the effort of editing makes it not worth the payment. Every editors time is precious. If a writer submits a piece that needs work, regardless the subject, an editor cant use it. FundsforWriters is always open to submissions. Ive booked articles as far as six months out, but I dont close down submissions. But while Ive got your attention, Ill post a few of my pet peeves, items that require me to email back and forth with a writer. Trust me, an editor prefers a clean package all in one submission, requiring minimal back and forth. 1) Academic writing. All theory. No anecdotes. No takeaway, practical value. No personality. 2) ESL writing. I do not mind submissions from around the world, but if I must clean up the grammar to make it work, regardless the topic, I wont. 3) Elementary topic, commonly read on many blogs. 4) How-to without links, resources, and examples. 5) Assorted fonts in one article. Editors format. Writers write. 6) No